Wesleyan Film Theses 2012: Part One — The Fellowship of the Text

It all began with the forging of the Great Papers.  Seven were given to the Film Studies Professors; immortal, wisest and fairest of all beings. And now those seven will be gifted to the race of Wesleyan Students, who above all else desire power. For within these papers was bound the strength and the will to govern over an entire campus.

This is it, folks. Come hear six great screenplay pitches and one historical/theoretical rundown from seven amazing senior Film majors.  The chosen few and their works are:

Douglas Bensimon ’12: The Nazi
Carolyn Cohen ’12: Squanderland
William Donald ’12: Off the Trail
Miriam Smith-Drelich ’12: Goodnight, Sunshine
Zachary J. Valenti ’12: Smokin’ Ocean
Jeremy P. Wolf ’12: Camp Goggles
Sarah Shachat ’12: Intrigue, Blood, and Naked Breasts: Strategies of the Epic Series on Premium Cable

Jeanine Basinger, head of the Department of Film Studies, says this is the best collection of written work she’s seen at Wesleyan. And she’s seen A LOT here.

Date: Sunday, May 6
Time: 2:00 pm
Place: Powell Family Cinema, Center for Film Studies
Cost: Free

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