2017. Chile. Dir: Sebastia?n Lelio. With Daniela Vega. 104 min.
A transgender waitress who moonlights as a nightclub singer must confront the sudden death of her much-older boyfriend, and the suspicion of his surviving family towards her. In her neon-tinted breakthrough role, Vega fights for the right to be seen as she is: a strong, complex woman and a human being deserving of decency.
1989. USA. Dir: Spike Lee. With Ossie Davis, Danny Aiello. 120 min.
In this panorama of a predominantly Black community in Brooklyn, Lee himself plays a delivery man for an Italian-American pizzeria owner. Entangled in the looming racial tensions (and confrontational shot/reverse shots), he soon finds himself at the center of an escalating conflict on the hottest day of the year.
1963. Japan. Dir: Akira Kurosawa. With Toshiro Mifune. 143 min. 35mm print.
A son of a chauffeur mistakenly gets kidnapped instead of that of a wealthy shoe executive (Mifune); the latter must decide whether or not to abide by the kidnapper’s request or risk the life of his employee’s child. Kurosawa explores the dark underbelly of Japan in this intricately staged and framed crime drama.
2018. UK. Dir: Paul King. With Ben Whishaw, Hugh Grant. 103 min.
A case of mistaken identity lands Paddington in jail, sending him on a mission to prove his innocence. This heartwarming, brightly-colored film combines live action and mo-cap animation for a story about an outsider arriving somewhere new and not only fitting in, but making the world around him a brighter, more charming place.
2017. Mexico/USA. Dir: Viktor Jakovleski. Documentary. 67 min.
The National Pyrotechnic Festival in Tultepec, Mexico celebrates “ritual, danger, and the absolute beauty of reworks.” is truly sensory movie experience immerses viewers inside the exploding colors, set to a score by Beasts of the Southern Wild’s Dan Romer and Benh Zeitlin ’04. Q&A with producers Dan Janvey ’06 and Kellen Quinn ’05.
1933. USA. Dir: Ernst Lubitsch. With Miriam Hopkins, Gary Cooper. 91 min.
When two struggling artists find that they’re having an affair with the same woman, the woman proposes: why not share? This refined yet obscene sex comedy employs Lubitsch’s signature wit to poke fun at dating norms and the vanity of jealous men, presenting a “Pre-Code” vision of romance more progressive than most rom-coms today. Intro by Prof. Michael Slowik, CFILM.
2000. Taiwan/Hong Kong/USA/China. Dir: Ang Lee. With Chow Yun-Fat, Michelle Yeoh. 120 min.
A famed Wudang fighter loses his sword to his archrival and her masked protege?, sparking a cross-country vengeance trek alongside his longtime secret love. Lee’s melding of epic drama with gleeful martial arts choreography will have you jumping amongst the trees for joy.
New York Times critic-at-large Morris joins the publication’s chief film critic – and CFILM Distinguished Professor of Film Criticism – for a public discussion entitled “How to Keep Your (Critical) Head When the World is Losing its (Political) Mind.”
2007. France. Dir: Ce?line Sciamma. With Pauline Acquart, Louise Blache?re, Ade?le Haenel. 85 min.
Marie is a girl fighting to assert herself in a world where her meek and gentle grace is not accepted, while also navigating a new friendship with a synchronized swimming superstar. The writer-director of Girlhood takes a tender look at young love, friendship, sexual exploration, and what it means to belong.
1955. USA. Dir: Anthony Mann. With James Stewart. 103 min. 35mm print.
Stewart comes to the West with a mission and a mule train – and he leaves with a bullet in the hand. Shakespearean tragedy and psychological subtlety typify this crowning CinemaScope Western from Mann (Winchester ’73), whose eye for clarity, depth, and the grandeur of the landscape is without limit.