Showing: Alumni

Ted Kennedy ‘83 Speaks on Disability Law

From Kevin Donohoe ‘12:

Please join us for a short lecture by Ted Kennedy ‘83, on disability law. Followed by a Q & A and refreshments!

Mr. Kennedy is a member of the Board of Trustees of the American Association of People with Disabilities and is the co-founder and President of the Marwood Group, a firm that advises corporations about healthcare and financial services. He has a B. A. from Wesleyan, a M.A. in Forestry and Environmental Studies from Yale and his J. D. from the University of Connecticut. After graduating from law school, he specialized in disability law at the New Haven firm Wiggin & Dana. Sponsored by Wesleyan Students for Disabilities Rights and ResLife.

Date: March 23
Time: 7:00 PM – 10:00 PM
Place: Usdan 108

MGMT Goes Retro: “Flash Delirium”

“Kids” fans: good luck humming this one incessantly. Go ahead and try.

“Flash Delirium,” our first taste of MGMT’s upcoming Congratulations, is available now on the band’s website. I’m not sure how I feel about this one. It’s retro, clever, and slightly schizophrenic in a distinctly White Album sort of way (see: “Happiness is a Warm Gun”), but maybe too . . .  ironic? Smugly detached? Something about those nifty ’50s doo-wop flourishes seem to preclude any real sincerity. But maybe it’s just the dry-as-fuck production (and from Spacemen 3’s Peter Kember, of all people) that irks me.

Thoughts?

Mad Men MoCon: Matthew Weiner ’87 Weighs In

It’s not unusual for alumni to air grievances about controversial administrative decisions. It’s also not uncommon for famous alumni to pay tribute to their Wesleyan experience, either in words or financial donations. But for a hugely distinguished alum to publicly criticize a major administrative decision (i.e., MoCon demolition) feels strangely unique.

Matthew Weiner ’87 (or someone pretending to be him), best known as creator of Mad Men, left the following comment on a recent Argus article detailing MoCon demolition plans. Scroll through the full comments for some further compelling alumni perspectives.

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OMFG MGMT ALBUM COVER

If you’re already sick of news about MGMT’s upcoming sophomore effort, Congratulations, skip this post now.

If not, check out this fucking sweet pop-art-meets-Nintendo album cover:

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Opening Reception for BE THE ART: You Want To See In The World

From Sonia Davis ‘10:

Come to the opening reception for BE THE ART: You Want To See In The World, the student art show formerly known as Skittles. There will be refreshments, student performances, and a chance to meet featured guest artist Mica Anaya ‘08. The exhibition will run until February 27.

Co-Sponsored by Wesleyan University’s Center for African American Studies, Office of Diversity and Strategic Partnerships, Wesleyan World Wednesdays, and Ezra and Cecile Zilkha Gallery.

Date: Feb. 11
Time: 5:00 PM – 7:00 PM
Place: Zilkha South Gallery
Cost: Free

You really don’t want to miss this one.

’60s Alum Brings Eclectic Memories to Stage

Eric Conger ‘68 has written a play loosely based on his experiences as a member of Eclectic in the 1960s, “The Eclectic Society,” which is being performed at the Walnut Street Theatre in Philadelphia until March 7.  The play depicts Eclectic and Wesleyan when the student body was a lot more homogeneous.  A Playbill article describes the plot:

“It is early November, 1963. On a University campus somewhere in New England, the members of The Eclectic Society are caught up in a whirlwind of social change. Sure, there are still Homecoming games to be won and pranks to be pulled on the incoming pledges, but things start to change with the arrival of Darrell Freeman (J. Alex Brinson). A scholarship winner from the ghettos of Cleveland, Darrell doesn’t exactly fit the mold of membership. In other words: he comes from the wrong side of the tracks, and he’s black. As the second African-American admitted to the Society (after three-sport athlete Floyd Wiggins, played by Carl Clemons-Hopkins), Darrell has his own hurdles to clear as he is welcomed by some with open arms…but not everyone…in the end, new friendships are formed and others destroyed as 125 years of ‘traditional thinking’ comes in direct conflict with a brave new world.”

Mr. Conger has been busy since the 1960s.  He attended the University of Paris, translated Molière and Feydeau, appeared as Oliver in As You Like It at the Walnut Theatre in 1985, and has narrated over 80 audiobooks and done voice-over for commercials.

If you happen to be in Philadelphia, John Wilson ‘69, the 1966 Eclectic flagman, invites Eclectic members and students for a cocktail party/reunion:

We’re hoping that we can assemble enough brothers and Wesleyan people on February 13th for a cocktail party and mini-reunion at a yet-to-be determined Philadelphia hotel.  If you think you can make it, shoot me an email at john(at)dwitherbee.com and I’ll update you about where and when.

Playbill: Eclectic Society, World-Premiere Tale of a Campus Club in Changing Times, Opens in Philly

Walnut Street Theatre: The Eclectic Society

[Thanks to Mica Taliaferro '11 for the tip.]

Wemmy Awards survey

From Jiovani Robles ‘13 and Jessica Jordan ‘13 comes a submission that I must be way too unhip to understand:

It has been an agonizing 20 weeks trying to hunt down Carter Bays & Craig Thomas just to get an interview for the Argus. Only now do we realize we’ve been continuing the hunt without bait?

We would like to introduce the first official Wesleyan Emmy Award, or Wemmy. It is up to you to take a quick 10 sec. survey and see which wesleyan alumni truly deserves the Wemmy of the year. Hopefully your decision will get us the interview we’ve been looking for!!

Date: Jan. 29 – Feb. 10
Time: 12:30 AM – 12:00 AM
Place: your computer

Someone enlighten me?

A Rare Amanda Palmer-Related Musical Find

What did you do over break? Will Feinstein ‘13 managed to track down a rare live recording of Amanda Palmer ‘98 of Dresden Dolls fame performing “Wesleyan Fight Song” (no, not the actual fight song) during a 2004 performance at Wesleyan. The unreleased track is either a brilliant tribute to Palmer’s Wes career or a scathing indictment of the school. Maybe it’s both. Some choice sample couplets:

  • “Got sexually harassed by DKE / Recovered and composed a Wespeak”
  • “College Row is burning down / It’s Armageddon Middletown!”
  • “Sent Doug Bennet flowers, raped a sex offender / Pierced my nose and changed my gender”

Feinstein managed to obtain the recording only by contacting its top (and, perhaps, only) listener on Last.fm. He only realized he was sitting on a rare treasure, however, on last week’s Wesleyan Birthright trip, when he showed it to Scott Greene ‘13, who had previously searched for the track to no avail. (According to a 2004 Argus article, this was part of a 2/13/04 Dresden Dolls show at Eclectic, during which Palmer prefaced “Wesleyan Fight Song” and “Valentine’s” as songs she wrote at Wes, “never heard before and hopefully never heard again.”) Here’s the song:

Some discussion questions: Is Amanda Palmer harboring some bizarre internal malice towards her alma mater, manifesting itself in lines like “I don’t care if you burn away”? Does this make her the first prominent alumnus ever to return to campus to express bitterness towards Wes in song? How many of her ’90s Wesleyan references are still relevant? When will MGMT write a tribute to us?

Here’s a cover performance by a talented YouTube pianist by the username of “addnamehere.” Goodness knows where he learned the song.

So start the semester off in style: with an uncomfortably aggressive song about burning Wesleyan down.

Das Racist video: “Rainbow in the Dark”

das-racistIf Pizza Hut/Taco Bell earworming into your brain last year turned you off from Das Racist completely, maybe time to reevaluate.

A newish video is out for “Rainbow in the Dark”, a track that uses fast food (via White Castle) only as a jump-off point and is more indicative of what they’re about. Some rap exegesis might be in order to figure out what it means, but at the very least it transcends the inanity of that previous offering.

Be awed by the viscous lyrical delivery and hyperliterate rhymes, as self-aware but un-self-conscious as ever. With references to NMH’s Jeff Mangum, fancy cheeses, T-Pain, Stephen Hawking, Don King, Gary Soto, themselves, the Harold and Kumar sequel, and various Internet communications technologies delivered in a cannabinoid stream over the course of four minutes.

Bonus points for “Wikipedia Brown,” and this line:

“peep us at the Grammys, we’d like to thank G-Chat”

Mostly SFW, although be wary of Victor’s pubes if that’s a problem. Directed by Jordan Fish ‘06:

Santigold to Produce Devo

santigold

WTF news of the day: Pitchfork reports today that Santigold—that is, Santi White ‘97—has been producing something (what? a song? an album?) by wonderful and bizarre new wave veterans Devo. She tells Paste Magazine:

It was amazing. They’re my band idols. Them and the Smiths. I made them pull out the red hats and pose for a picture.

Devo and the Smiths. Like matter and antimatter. What’s next—MGMT producing Men at Work? This seems like as good an opportunity as any to brag about the coolest dorm poster on campus:

devo

And if, God forbid, you don’t realize how much Devo rules, here’s a good introduction:

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Ridgefield Middle School: Last Chance! (For now)

ridgefield pit poster

Jo Firestone ‘09 and Dylan Marron ‘10 will be wrapping up their fall tour of Ridgefield Middle School Talent Nite, a play they wrote and performed here last spring. Unfortunately, they won’t be doing any more Wesleyan shows like they thought so this is your last chance to see them (for now).

Here are the details:
What: Ridgefield Middle School Talent Nite
When: December 22 at 9:30pm & December 29 at 9:30pm
Where: the People’s Improv Theater at 154 W 29th Street
Cost: all seats are $8

If you haven’t seen this play and are going to be in NYC in the next few weeks, you really should check it out.  Well, only if you’re in the mood to laugh.   If you’d like to keep the gloom going from your 80 finals, you probably shouldn’t go. No but really— Dylan and Jo are wonderful, hilarious people AND performers, and they have created a show that is unsurprisingly, also wonderful and hilarious.  To learn more, check out this interview I did with the dynamic duo when they were last here in October.

Michael Bay ‘86 Directs Victoria’s Secret Commercial

It’s, um, pretty much what you’d expect a Micheal Bay-directed Victoria’s Secret commercial to look like. It previewed during the Victoria’s Secret Fashion Show last Wednesday. Check it:

And thanks to anonymous shoutboxer for the tip. When I first saw this, I figured it was a parody of what a Michael Bay-directed Victoria’s Secret ad would look like. This is the real thing—but really, would a parody be any different?

For comparison’s sake, here’s Michael Bay eating a bowl of cereal:

MGMT Nominated for Grammys

The Grammy nominations were announced today, including nods for both Ben Goldwasser/Andrew Vanwyngarden ‘05 (aka MGMT, for Best New Artist and Best Pop Performance for “Kids”), and Tierney Sutton ‘86 ( Best Jazz Vocal Album).

grammy-winners-list-2009

Go Wes!

[Sheek edit] MGMT reacts in an EW interview.

Brandon Patton ‘95: solo album “Underhill Downs”

UDowns_cdCOVERPANEL_320Moar musical Wes Alums, plz!

Brandon Patton ‘95 released his third solo album over this past summer. Clearly thankful for Wesleyan, he has this to say:

“My first recording project was done on Fountain Ave. summer after my junior year. Wesleyan was an amazing place for creative incubation. I’ve been touring the country with MC Frontalot (Damian Hess ‘96) for the last four years, and now I’ve put out a solo album (my third.)”

MC FRONTALOT BASSIST RELEASES ‘UNDERHILL DOWNS’

Staten Island, N.Y. – [July 30, 2009] – New York City songwriter Brandon Patton, the bass player for MC Frontalot whose last solo album was nominated for “Album of the Year” by the Independent Music Awards, has released ‘Underhill Downs,’ a project four years in the making.

Featuring 21 guest musicians, the album traces the emotional arc of a rebound, with moods that swing from melancholy intro-spection to devil-may-care seduction. The music is layered, symphonic indie pop/mellowcore, reminiscent of John Vanderslice and Elliott Smith, with a trip hop influence on some tracks evocative of Massive Attack, and an occasional spaz out to keep things interesting.

“Overabundantly gifted with pop songcrafting gifts..a young Todd Rundgren, Badfinger, John Vanderslice, Elliott Smith and Sage Francis all come to mind, though Patton actually sounds quite original and fresh.” – Dream Magazine

So if you so wish, check him out here.

Russell Perkins ‘09 Named a Rhodes Scholar

Congratulations to Russell Perkins ‘09, who was awarded a 2010 Rhodes Scholarship. Perkins was the co-founder of the Center for Prison Education at the Cheshire Correctional Institution, and graduated with high honors from the College of Letters.  His senior thesis was “Violence in Adornian Aesthetics and the Art of Anselm Kiefer.”  Perkins is pursuing a B.Phil in philosophy at Oxford.

Wes in the News: Perkins ‘09 Awarded 2010 Rhodes Scholarship

Expensive Wesleyan Pride

Recently graduated and want to show off your liberal arts savvy to your investment banker colleagues? Looking to apply in December and need to show your senior interviewer that you’ve thoroughly researched your favorite east coast liberal arts school? Putting together your Thanksgiving outfit for your first visit back home since shipping off to college and can’t wait for your necktie to scream “I learned who Judith Butler is in SOC 151″?

Well, here’s the necktie for you!

10833_531607991206_4503122_31427379_8329064_n

Available at the discounted price of $72.00, probably because the rare cardinal feathers used in its microfiber silk weave were purchased in bulk.

Thanks to Brian Glenn ‘91 and Wesleying founder superstar Xue Sun ‘08 for the tip, and to

Vampires don’t get old, unless you date one

From Jacob Fleisher ‘99:

For all of you with Vampire Fever, or Twilight Flu or New Moon H1N1 virus, 3 Wes alums got together and made this vampire web series about all things fangish. Study hard so one day you can graduate and go poor making internet content.

INTERCOURSE WITH A VAMPIRE

Jacob Fleisher ‘99, Jenessa Joffe ‘00 and Carl Hampe ‘00 think Vampires are a bit stupid, except for their hair. My God they have beautiful hair.

Intercourse With A Vampire, Episode 1

Have to admit, I enjoyed this.

Ye Olde Actually Sorta Relevant Argus Article

GradLemmings

The Argus has been focusing quite a bit lately on the how the class of ‘09 is faring—who’s got jobs, who’s unemployed, who’s looking for work abroad. It makes sense, for sure, when you consider that these kids had to graduate into the HOLY-SHIT-WORST-FINANCIAL-MELTDOWN-SINCE-THE-GREAT-DEPRESSION-OMG.

But still, it might be helpful, or comforting, or whatever, to remember that there is a more recent historical precedent (on a smaller scale, admittedly) in the early ’90s recession. This Argus article, from November 1992, seems eerily similar to some current ones:

“If there was a general trend last year, it was that people were scared to death—the media harped on the downturn of the economy, and most of the prominent employers cut back on hiring,” said Director of Career Services Rick McLellan.

Given the positive reaction to last week’s Ye Old Unintentionally Hilarious Argus Article—and in the spirit of the Argus’s historical issue—this will be a continuing feature on Wesleying, in which we present blurry photographs of relevant, bizarre, or simply hilarious Argus articles from the past. Because, you know—the past is weird. And interesting.

Read the whole article here: Class of ‘92 Still Searching for Jobs

Meditation and Talk with Peter Kovach ‘67 @ BuHo this Thursday

From Asa Horvitz ‘10:

Meditation and Talk with Peter Kovach ‘67, Director, Office of International Religious Freedom, U.S. Dept of State.

Peter, a religion major at Wesleyan, has had a rich and varied career in international service. This talk will focus specifically on Peter’s Buddhist Practice and the integration of Buddhist practice with his experiences in the Foreign Service, plans for the Office of International Religious Freedom under the Obama administration, his work in the Muslim world, and how his own spiritual journey both influenced, and was influenced by, these experiences. Free dinner from Udupi, discussion to follow!

Sponsored by the office of Residential Life and Religious and Spiritual Life

Link to Facebook event

When: Thursday Nov. 12th
Time: 6:30PM
Place: Buddhist House

[Edit: added Facebook link]

30 Rock <3's Wesleyan

30 Rock just gave me another reason to love it even more. Dot Com ‘??, one half of Tracy’s two-person entourage, spent his college years at Wes polishing his acting skills:

46121_1218309434175_500_282

Dot Com: Anything can happen in the audition process.
Tracy: Oh yeah, I forgot, Dot Com. You know everything about acting because you played a bird in some stupid school play. Ha!
Dot Com: Yes, Tracy, I was Trigorin in The Seagull on the Wesleyan Arts Base Main Stage.

Not sure we have an Arts Base Main Stage, but that’s cool. Come to Homecoming, Dot Com!

Lin-Manuel Miranda raps at the White House

Lin-Manuel Miranda ‘02 performed at the White House evening of Poetry, Music, and the Spoken Word in May, which was a big deal.

Now here’s a video of it, in which he raps about Alexander Hamilton in the voice of Aaron Burr. So dope.

Watch Barack and Michelle snap along, and give Lin a standing ovation at the end.

[Thanks to Jesse Bordwin '10 and Jesse Ross-Silverman for the tip.]

Joss Whedon bids on “Terminator”

joss-whedon-282x300There’s an “open letter” purportedly from Joss Whedon circulating the Internets, in which he makes a bid for the Terminator franchise.

An Open Letter to the Terminator Owners. From a Very Important Hollywood Mogul

Dear Sirs/Ma’ams,

I am Joss Whedon, the mastermind behind Titan A.E., Parenthood (not the movie) (or the new series) (or the one where ‘hood’ was capitalized ’cause it was a pun), and myriad other legendary tales. I have heard through the ‘grapevine’ that the Terminator franchise is for sale, and I am prepared to make a pre-emptive bid RIGHT NOW to wrap this dealio up. This is not a joke, this is not a scam, this is not available on TV. I will write a check TODAY for $10,000, and viola! Terminator off your hands.

Read the whole hilarious thing here:

Deadline: Joss Whedon makes bid for ‘Terminator’

[Thanks to Ben Kuller '10 for the tip.]

View with a Room: Awesome Rooms That You Didn’t Know Were Awesome

Last week’s first View with a Room post got me thinking about the vast amount of unacknowledged history attached to so many of the dorms on campus—in particular, the legendary alums that may or may not have once lived in your room. Then I noticed the easy availability of old Wesleyan directories in Olin, floor 3A. (Maybe it’s not so pointless after all, eh?) Thus, after a bit of archival digging, I present a partial guide to rooms at Wesleyan once inhabited by various favorite alumni. If you live in one of these rooms today, brag in the comments section; your room is a piece of history!

Read More »

Ray Tintori ‘06 to write, direct Spike Jonze film

ray tintoriRay Tintori ‘06, who directed MGMT’s music video for “Kids,” was recently featured in New York Magazine for his latest project: writing and directing for Spike Jonze.

Jonze, a fan of the “Kids” video, chose Tintori to adapt Shane Jone’s novel Light Boxes. In Ray’s words:

I met Spike over a three-hour dinner at Balthazar to talk about adapting Shane Jones’s novel Light Boxes. I grew up on Spike’s work, but it wasn’t like meeting the queen of England. It was a conversation, a collaboration. He told me he liked the baby seat in the video I did for MGMT’s “Kids.” You have no idea: That was one of those things where you pour all this work into a detail and you wonder, Is anyone even going to notice this? And then it’s Spike Jonze noticing, which was cool.

I directed MGMT’s videos because they’re from Wesleyan, too, and I didn’t want anyone else to get it wrong. But I don’t want to be known as one of those Brooklyn kids who smokes pot all day and looks at cats. After college I moved to New Orleans to make a movie. I had tried working as a P.A. for a film shooting in Bushwick, but everyone expects you to work for free, so I figured I might as well be doing my own work.

When my senior thesis played at Sundance, people pushed me to direct easy features, but I’m not good at mercenary work. I’m too weird. You know how I calm down when I’m editing? I listen to Shields and Brooks on NewsHour online— stuff from, like, 1996.

New York: Ray Tintori on Working with Spike Jonze on “Light Boxes”

http://nymag.com/news/intelligencer/breaking/59693/

MGMTOMG new album title

MGMT’s upcoming sophomore album, due out sometime next year, will be called “Congratulations”. Yes, congratulations, MGMT, for having a sophomore album!

Here’s them playing the title track this summer:

More from Pitchfork.

[Thanks to Colin Small for the tip.]

Martin Benjamin ‘57 Strikes Back

This Tuesday’s Argus brought to campus the vicious return of über-conservative favorite Martin Benjamin ‘57. His semi-coherent latest Wespeak is “An Open Letter to Roth,” wherein he lashes out against Senator Edward Kennedy Hon ‘84 and, at one point, likens President Roth to “a teeny-bopper who’d just been goosed by her first crush.” (Quote of the century?)

Compiled here is a collection of Benjamin’s fiery Wespeaks over the past decade. But for a glimpse at a more youthful, innocent Mr. Benjamin, I present to you his portrait in the 1957 yearbook, as discovered in Olin. Might I suggest it accompany his future Wespeaks, if only to put his ranting and raving into perspective?

DSCN0693

Matthew Weiner ‘87 Discusses Mad Men, Wesleyan origins

So this article is a few months old, but fellow Mad Men obsessives will enjoy it.  In a book/blog entitled The Good Men Project, which has “Real Stories from the Front Lines of Manhood”, there is an interesting profile of Matthew Weiner ‘87.  He discusses how women are portrayed on the show, and his study of feminism and poetry at Wesleyan:

Weiner is surprised by the idea that he, or his show, is sexist. “The treatment of women on Mad Men is the point,” he says emphatically. “The women characters are informed not only by my mother, an attorney, and two older sisters, an attorney and a doctor, but by the philosophical underpinnings of what I learned at Wesleyan. It’s right out of The Feminine Mystique. My show is saying ‘This is not right.’”

The most exciting ideas on campus involved feminism,” Weiner says. His eyes light up when he talks about the impact of his freshman poetry course taught by Professor of English Gertrude Hughes. He was one of two men in the class. “Like Emily Dickinson, I was drawn to the hormonal teenage experience of loneliness, of the reality of death, and of sexual awakening.” In the poems of women—from Dickinson to Adrienne Rich, Sylvia Plath, and Denise Levertov—he discovered a form for his exploration of the outsider who tries to don a mask of acceptability, but often fails.

The dream sequences on Mad Men can be mystifying (Betty and the caterpillar?), but Weiner has long been interested in dreams:

At Wesleyan, Weiner became obsessed with his dreams. They were so vivid that he sometimes recalled them as real. He dreamed about walking around campus at noon only to find it deserted; he dreamed about talking to his late Grandpa Max, about talking to an amalgamation of people in a single body, about talking to the sun.

Professor of Psychology J.J. Conley took him on in an independent study course to explore the biology, psychology, and literary explanations for his sleeping visions.

Weiner also discusses how he came to Wesleyan to study poetry, but professors were unimpressed with his work.  COL professor Franklin Reeve finally took him on for an independent study.  Reeve remembers Weiner as an original and determined student:

Although Weiner wrote poetry daily at Wesleyan, he couldn’t convince faculty members that his work was good enough to get into a class. Finally, he took his poems to Professor of Letters Franklin Reeve, father of Christopher, for an independent study. Their first meeting was rocky. Reeve found much to criticize, but he was also amused by Weiner’s sense of irony.

“Matt never quite fit,” Reeve said in a phone interview. “He had a spunky original streak that meant his writing wasn’t successful the way others were. He was determined to reinvent the wheel in a wonderful way, which made him a stimulating and rewarding student to work with.”

Ep104_09_MMep-104-195

The profile has lots of interesting tidbits.  Apparently the scene where Glenn (played by Weiner’s son Marten) walked in on Betty in the bathroom and asked for a lock of hair actually happened to Weiner when he was young, and had a crush on his babysitter.  If you don’t already know, Mad Men airs every Sunday at 10 pm on AMC, and is in my humble opinion, the best show on television.

Profile: the Making of Mad Men

MGMT – still famous

Just in case you were wondering what MGMT has been up to lately…
They have been recording Leonard Cohen songs with Beck. And part of Little Joy.
On an informal basis. For fun. shit.

more at beck.com/record_club

(sigh… it REALLY doesn’t like me embedding videos.)

The Dark Heart of Meteorology in NY

theassemblyNick Benacerraf ‘08 writes to tell us about a cool collective of multi-disciplinary Wes grads who formed a company called the Assembly while still in school. They will be having 4 weeks of performances in NYC, so if you’re out there check it out:

the.ASSEMBLY.presents:

THE DARK HEART OF METEOROLOGY

Amid concerns about global warming and an uncertain future, The Assembly unleashes its failed weatherman on the people of New York with a simple message: The weather is going to kill us. All of us.

The Dark Heart of Meteorology is a series of barely-multimedia presentations–part lecture/slideshow, part happening–by lonely traveling weatherman Franklin Elijah White. The last in a long line of meteorologists, Franklin is traveling across the country on an increasingly quixotic journey. Aided by only his slide projector and assorted meteorological equipment, his mission is to warn his audiences about the revelations contained in “The Dark Heart of Meteorology,” his late father’s manuscript.

The Dark Heart of Meteorology combines live performance, video, and the lost art of the slideshow to investigate the tensions between chaos and control and the intersection of the personal and meteorological.

Featuring Richard Lovejoy
Written by Stephen Aubrey ‘06
Directed by Jess Chayes ‘07
Dramaturgy by Edward Bauer ‘08
Scenery by Nick Benacerraf ‘08

4 WEEKS OF PERFORMANCES:

Tuesday, September 22, 7pm (BEWARE THE AUTUMNAL EQUINOX)
Wednesday, September 23, 7pm
Tuesday, September 29, 7pm
Wednesday, September 30, 7pm
Tuesday, October 6, 7pm
Wednesday, October 7, 7pm
Tuesday, October 13, 7pm
Wednesday, October 13, 7pm

THE ASSEMBLY is an award-winning Brooklyn-based ensemble of multi-disciplinary artists, formed by four Wesleyan grads. We seek to unite our varied interests in service of creating wide-reaching, unabashedly theatrical and rigorously researched ensemble performances that address the complexities of our ever-changing world. We embrace collaboration as the core of the creative process, developing all the elements of text, action and design side-by-side within the rehearsal environment

WHEN: September 22 – October 14 on TUES and WEDS at 7pm
WHERE: Under St. Marks Theater, NYC
94 St. Marks Place (St. Marks & 1st Ave)
TICKETS: $15 regular, $12 Students – http://www.smarttix.com/show.aspx?showcode=DAR21

facebook event

Red Wire Black Wire Releases Debut Album

redwireblackwire

Doug Walters ‘08 writes in about his band Red Wire Black Wire’s new record:

This is Doug Walters from the band Red Wire Black Wire. We graduated in 2008, and just this month our brand new debut full-length, Robots & Roses, was released through Tough Customer Records. We’re on tour now in support.

We’d love it if you guys would give a shout to the Wes community that our record just came out. We worked like hell over the past year, and we’d love to spread the final product with our beloved Wes brethren and sistren. Below is a link to stream the new single. The record is available on iTunes digitally and through mail from our website.

Thanks so much. We really appreciate the support.

You can stream the new single here, find the band’s website here, MySpace page here, and a recent show review here.