“Don’t take pictures of them. They won’t show up in the photo.”
What’s the easiest way to get Wes students to buy lemonade for a charitable cause? Recruit the Skull & Serpent, of course. Members of the semi-secret society teamed up with members of the Wesleyan Refugee Project this afternoon, selling lemonade outside of the ominous Tomb.
Fellow editor wilk received an invite to the lemonade stand in his inbox, and mistakingly thought at first that it was an invitation to join Skull & Serpent. (Better luck next time, buddy.) The message said there’d be a lemonade stand outside of the Tomb starting at 1:03pm (yes, really), and proceeds would be benefiting Integrated Refugee & Immigrant Services (IRIS).
I had class at 1:20, but on my way over I swung by this mysterious operation. Skull & Serpent members are never seen in their full costumes outside of the Tomb (apart from this shenanigans), let alone in broad daylight. If they were dying from heat exhaustion underneath those black robes and masks, they weren’t showing it. They also weren’t especially stoic, either; they chattered away at anyone who approached the stand, all of them masking their voices with what can only be described as a cross between a Blues Clues and a Mickey Mouse impression.
Apart from the lemonade stand that appeared outside Michael Roth’s office a few weeks ago (in protest of low-income students not receiving enough financial aid), this was the coolest one I’ve seen on campus. Honestly, the more lemonade stands at Wes in springtime, the better. Just…maybe don’t make all of them this demonic.
2004. USA. Dir: Michel Gondry. With Jim Carrey, Kate Winslet. 108 min.
Upon learning that his former girlfriend has undergone a memory erasure procedure to forget their relationship, a soft-spoken man decides to do the same. Dazzling, dreamlike imagery and sci-fi wonder show the memories of a couple in reverse, as Gondry stretches an already poignant Charlie Kaufman script to its emotional breaking point.
This afternoon we’ve got a triple double-feature for you: three great interviews, each with two great thesis-writers in their final stages of bewilderment, stress, and manic laughter! You can also read back on parts 1-8 here, here, here, here, here, here, here, and here and you can find the entire archive here.
“My advisor is like, ‘You have time to figure that out!’ and I’m like, ‘I don’t feel like that is the case!’”
with my editor privileges i would like to interject here that this is the timeline of hawai?i history in my carrel that i made entirely out of post-it notes, with events color coded by type. —maya, 4/17/17 1:23 PM
What a knockout group of THESISCRAZY seniors to start off your Monday morning! In today’s installment, we have one of our fearless editors, a double-thesis-writer, housemates, and more! You can catch up with our past THESISCRAZY 2017 posts here, here, here, and here, and here, and you can find the entire archive here.
“I don’t know. I’m a mess! I don’t know what I’m doing!”
I spent the last 20 minutes looking up funny euphemisms for sex to make a title to this post. (I was unsuccessful.) If you’re looking for something equally procrastinate-y to do on this fine Sunday night, look no further. Today we bring to you four fine specimens of thesis writers. Remember, Wescam is just around the corner ;) If you want, check out the previous THESISCRAZY 2017 posts here, here, here, and here to start scheming for senior week, or our entire THESISCRAZY archive here.
If you’re looking to be immortalized in THESISCRAZY (and potentially Wescam) fame, email staff(at)wesleying(dot)orgwith your name, major, workspace/carrel number, and times you can meet before April 19th.
“I’m gonna turn in pages, there’ll be words on them. Whatever.”
The hours are ticking down (a fact that we’re sure all you thesis writers are acutely aware of) and we have more interviews for you! A la R. Kelly a few of you have gotten trapped in the closet–er, carrel–but you haven’t let that stop you from working yourselves into a frenzy this last week before the deadline. You can catch up on the past three THESISCRAZY 2017 installments here, here, and here, and our entire archive here.
If you’re interested in being interviewed (we’ll be posting these right up until the last crazy second), email staff(at)wesleying(dot)orgwith your name, major, workspace/carrel number, and times you can meet before April 19th.
Did you guess that this year’s Spring Fling headliner would be Vic Mensa? Then you’re in luck! The Chicago rapper will grace us with his presence on May 11, along with garage rock band The Orwells and North Carolina hip-hop artist Rapsody. The show will open with a Wesleyan musical act, to be determined by the upcoming Battle of the Bands show.
Watch the announcement video, and read more about this year’s Spring Fling acts, after the jump.
“The last three days I’ve been working straight 9-5, and I mean 9 AM to 5 AM!”
Hello crazy thesis-ers and also crazy other people reading this! In this third installment of THESISCRAZY 2017, I bring to you the longest interview I’ve seen in my tenure at Wesleyan, clocking in at just over 20 minutes, and the shortest, at just under four. You can check my unscientific assertion for yourself by reading our archive here and checking out the first two posts of the series here and here.
If you’re interested in being interviewed (preferably for shorter than 20 minutes and longer than 4–eight to ten is usually the sweet spot!), email staff(at)wesleying(dot)orgwith your name, major, workspace/carrel number, and times you can meet before April 19th.
Hold onto your hats for this whirlwind of a ride after the jump!
The Oscar-winning writer/producer/director of The Revenant and Birdman or (The Unexpected Virtue of Ignorance) sits down with film scholar and CFILM founder Jeanine Basinger for a conversation about his work and the medium of cinema.
A senior music recital by Rachel Rosenman ’17, “The Music of Mel Bonis.” As a Catholic woman writing music in late nineteenth-century France, Mel Bonis faced unique challenges that influenced her compositions. Despite the difficulties she faced, Ms. Bonis produced over 300 compositions throughout multiple genres. After her death, much of her music was unfortunately forgotten until the late 1990s, when the composer’s descendants began serious efforts to research her life and work. Ms. Bonis’ music is still not well known, especially outside of her native France. As part of thesis work by Rachel Rosenman in Music and French Studies, this recital presents chamber music by Mel Bonis that showcases her music style, revealing unique works by a lesser-known woman composer.
Date: Wednesday, April 5 UPDATED Time: 7PM**4:30 PM** Place: Department ofRomance Languages and Literatures (300 High St)