First Church of Christ in Middletown will present a riveting performance of Julius Lester’s Day of Tears, a novel centered on the largest slave auction in American history told from the perspective of the husbands, wives, and lovers on the auction block. Witness their stories as they desperately cling to one last hope of staying together.
Written and directed by Laurie Maria Cabral and produced by Tom Raines, this performance is offered with the permission of Julius Lester and his family. It will take place at First Church of Christ, located at 190 Court Street in Middletown, CT, on Saturday, May 18th at 7:00 PM. Doors open at 6:30 PM.
First Church of Christ, a pro-racial justice and Open & Affirming congregational church in the United Church of Christ, is proud to bring Day of Tears into its space for the first time and raise awareness about an important event in American history. Through a conversation with the actors, director, and producer after the performance, audience members will learn more about how racism continues to manifest in the present-day and how individuals and communities can address systemic oppression.
“We at First Church are committed to healing the wounds of racial injustice and furthering social equity. Offering this play to the community free of charge is one of the many ways we are living into those commitments,” shared Gabriela De Golia ’13, a Deacon at First Church of Christ.
This performance is a free community event, open to all. Please be advised that strong language and allusions to violence are present in the production and may not be suitable for certain audiences, including young children.
Date: Saturday, May 18 Time: 7:00 PM Place: First Church of Christ, 190 Court Street, Middletown, CT
As this year’s Spring Fling fast approaches, I found myself looking back at old Wesleying posts about Spring Flings past. It all started with this absurdity, which I stumbled upon earlier this year. With little else to do now that my thesis is turned in, I decided to dig deeper and see what other fun/ny stuff I could find!
Here is the resulting round-up of interesting/notable Spring Fling-related posts. (Zachalready did a deep dive into past performers, so I’ll stick to silly/snarky/spends-too-much-time-on-the-internet content I dug up on the blog.) Read on after the jump to find out what’s going on in the picture above and more!
It’s been a loooooong hiatus, what with thesis, winter break, thesis, spring break, more thesis (you get the point). But fear not, I haven’t forgotten about all you questioning souls haunting campus, awaiting answers to put your spirits to rest.
This week’s question is about one of those things that gets mentioned on your admissions tour and then never arises again, nudity:
I’ve been trying to find information about how to apply as a nude model for art classes next semester, but have emerged unsuccessful. Do you have any info about who to contact, any requirements, etc? Also, any tips on how to locate the nude scene at Wes (if there is one?) would be greatly appreciated!
Nude in the NESCAC
You can read the answer to this week’s question below the jump!
To say it’s been a wild year would be an insult to things that deserve the title “wild.” But, here we are, a month into reflecting and trying to understand what even happened in 2018, publishing this article to try to find some sense. And what other than to write about a year at an institution that makes no sense during any given year?!
Yes, friends, I am going to try to review this very confusing year––and bonus: I wasn’t even on campus for half of it! Because I am perpetually on the Internet, I have been filled in on the ~happenings~ last semester and will try my best to give 2018 the little justice it deserves.
Disclaimer: this is a subjective process, and things change at Wesleyan sometimes very quickly, but also sometimes veeeeeryslowly. If I’ve missed something, let us know at staff[at]wesleying[dot]org. Send us your funny moments, your important moments…just all the moments.
Because this year was just…a lot…I’m going to do my best to organize this information as effectively as possible.
If you want to procrastinate because it’s been a week of classes, here’s some old content: 2012, 2013, 2014, 2015, 2016, 2017.
This fall, I taught a student forum through the American Studies department called “Critical Perspectives on Texas.” Historically Texas has served as a site of settler colonialism, racial domination, strict reification of gender roles and repressive sexuality, and economic importance with its oil and agricultural industries.
To name a few topics, the class examined: Texas’s modern-day electoral politics in sociohistorical context; intersectional feminist border studies and the Drug War; health care disparities, race, and climate change in Houston; gentrification and segregation in Austin; the legacy of plantation slavery in the influential Texas prison system; cowboy culture and the myth of the frontier; and indigenous resistance to the U.S.-Mexico border wall.
I grew up in Austin, Texas, and as an American Studies major, a growing activist, and someone who has become obsessed with regionalism since coming to Wesleyan, teaching this forum was a way for me to better understand my home and to help other students learn about the state through a critical lens. I wrote this piece, “Cracking Open a Pecan,” as a final project for our last day of class:
I was scrolling through our Wesleyan University Google Alerts email recently when I came upon a surprising link–someone is selling the old MoCon sign. My first thought upon seeing this was Who on earth would pay $695 for an old sign??? quickly followed by Some student probably stole this when they demolished MoCon in 2010 and is trying to turn a profit almost a decade later. As baffled as I was by this listing on Housatonic Trading Co. (which “offer[s] a curated collection of antique, vintage and modern items including antiquities, jewelry, furnishings, art and decor”), it also seemed like an invitation to dive deeper into the history of MoCon.
Some of you current students (and recent alums) may be wondering, What on earth is MoCon? Worry not, Wesleying is here to dig up some WesHistory for you and teach you about a beloved and sorely missed Wesleyan institution!
On September 4, CAPS Director Jennifer D’Andrea sent an all-campus email alerting students of some alarming changes in CAPS staffing. Over the summer, there were “three unexpected departures from the CAPS team,” including Katie Scheinberg, the APRN that was hired in February 2017 as a direct result of the student-organized Wes Needs CAPS campaign of 2016-17, which had four major demands:
Hire two new, full-time psychologists.
Raise our half-time therapist up to full-time.
Approve the hiring of a full-time Advanced Practicing Nurse Practitioner (APRN).
Increase the CAPS operating budget for the first time in six years.
1929. USSR. Dir: Dziga Vertov. Documentary. 68 min.
Mad genius Vertov applies his “Kino-Eye” theory towards “the creation of an authentically international absolute language of cinema.” Thankfully, his magnus opus is vibrant and unpretentious, an exuberant celebration of both the medium and the surprising inspiration buried unnoticed in everyday urban life. Live accompaniment by Ben Model.
Twitter accounts like @OverheardAtWes and @WeirdWes chronicle some of the wackiest things that Wesleyan students can be heard saying on a daily basis. Private conversations being subject to publication in campus-wide media may seem like a phenomenon exclusive to the internet era, but the concept of OverheardAtWes existed long before twitter. In fact, ridiculous student quotes were often featured in The Argus during the 1800s!
Here are some of the best original OverheardAtWes quotes from the 19th century after the jump: