Tag Archives: album release

BandCampWes: House Party — the Band, Not the Movie — Drops “No Forever/I’m Ready, Darling”

“Inspired by mutual love of auto castration and top 40 hits.”

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I really like this album. Not just sorta like it, but I really like it. The band is House Party, the album is called “No Forever/I’m Ready, Darling,” and it was made by Razor Edwards ’10 (of Precision Libido fame), Jeff Rovinelli ’10 (of The Noms fame), and current Brown University student Tim Rovinelli (Brown ’13).  It was recorded over a year, includes samples from Christina Perri, and most of it was recorded with a homemade gaggle of electronics, which, by the sound of most of the album, I’m going to go ahead and assume must’ve looked similar to Satan’s genitalia.

The music itself has, at times, a chilled out almost shoegaze-y feel (see “3pm (puma automatic)”), but this facade slowly gets peeled away during the track “love you (christina perri).” After a somewhat benign intro, the album seems to become a small exercise in audio engineering and distorted pop. This is all well and good, but it is during the third track when it becomes evident here that chaos reins supreme.

BandCampWes: Orkinpod Abandons Argus Comics, Continues Music Career

BJ Lillis ’12 says this is his break-up album. The break-up is between him and Wesleyan.

Fans of the Argus’ tragically defunct comics section (guys, remember “Feet People”?) and surreal Brian Wilson-obsessed psych-pop alike should be thrilled to learn that Orkinpods, the formerly anonymous bedroom pop project of comics editor emeritus B. J. Lillis ’12, has a new album online for the new year. It’s called The Loudest Sound, and it’s also Orkinpod’s finest, most confident work yet, which is definitely saying something, considering I loved 2011’s Boardwalking, Katy Perry cover and all. While Lillis’s previous work channeled the damaged surrealism of Smiley Smile-era Beach Boys, this one reminds me more of Sunflower or Surf’s Up. Gone are the synths and drum samples from the last record; in their place, Lillis employs rich arrangements involving upright piano, violins, ukelele, “harmonicas; audion electric chord organ; pots, pans, glasses; packing-tape drums; jar-of-pennies; laundry basket; maracas and shakers; backgammon pieces; pencils; [and] effects.” The songs are also longer and more fully fledged.

From the first notes of “The Scientists Say,” The Loudest Sound is lush, richly arranged pop music, with some of Lillis’s most gorgeous harmonies and intimate lyrics yet. Listen to it alone and try not to cry. Seriously, listen to the opening track:

My other favorite is probably “What We Bury At Night,” which finds Lillis crooning in a lower register over an almost a cappella backdrop of swirling harmonies, maracas, steel guitar whines, and god knows what else.

Nat Leich ’12 Releases Album; BandCamp Response Catlike

What does the Wu-Tang Clan have in common with the Grateful Dead and Björk? Nothing. But Nat Leich ’12 doesn’t care. His recently released senior thesis album, Kaleidoscope, takes diffuse elements of pop scenery and welds them together in a thirteen-piece orchestra — you might even call it a Mixtape Orchestra — that travels down Memory Loss Lane.

Listen here, and click past the jump for more about last week’s ninth-bestselling digital album on Bandcamp.

Duchampion Releases New EP, Is (Still) Really Good

It’s summer. If you’re in the market for hazy, reverb-happy guitar rock with a solid balance of melody and fuzz, you could do much worse than download veteran Wes-band Duchampion’s fantastic new EP, Purple Clouds. Recommended tracks: “Violent Death,” “City Mind,” everything else.

Duchampion, which most recently previewed these tracks (and more) at Eclectic in February, consists of Will Brant ’10, Jake Nussbaum ’10, Asa Horvitz ’10, and Ben Seretan ’10. This project was put together in one day:

One day in February, we went to Greenpoint and spent the day in the studio. All of the instrument tracks are taken live, together, with no overdubs. Vocals are generally whole takes, sometimes with Asa and Ben singing in the room together. This is our band at a moment.

Worth noting: anyone who buys the EP ($3) gets a discount on the vinyl. Buy or stream at the band’s Bandcamp page here. Sample “Violent Death” below:

It’s Chinatown Releases Album, Plays Show, Loves You

IT'S CHINATOWN

It’s Chinatown is proud to announce the release of our new super-self-important album: The People’s Republic of It’s Chinatown, born from the womb of Snowmageddon. Come see us at Alpha Delt Friday night at 10:00 PM for no money at all, and help us to peek through the cowhole! We’ll also have a bunch of free CDs. Fellow rocknrollers Alek and the Barkats will be opening.

Date: Friday, February 4th
Time: 10:00 PM
Place: Alpha Delt
Cost: nothing!