Tag Archives: DARK YORK

Le1f Takes Off, Critics Onboard, With “Fly Zone” Mixtape

Le1f_FlyZone

Ever since last year, music review/hipster rant/legitimate journalism website Pitchfork has been all over Le1f aka Khalif Diouf ’11.  They gave a solid review to his 2012 mixtape Dark York, saying “there’s a lot of fun to be had listening to Diouf take on rap taboos with a glint of mischief.”  Because, of course, no conversation can be had without somewhere mentioning Le1f’s sexual preferences. And, yes, those sort of themes and jokes pop up throughout his videos and mixtapes, but underneath all of the discussion about “queer rap” are some high-quality club-ready tracks— and more and more, that’s becoming the focus of all this hype.

Le1f, receiving much love and coverage from this blog, just dropped another mixtape, and not surprisingly, the Internet is all over it. Fly Zone is 13 tracks produced by 13 different producers, but Le1f is always the star of the show.  “Spa Day” feels like Le1f is having the most fun, and he dodges in and out of quick, sharp-tongued rapping, even slipping in a “mazel tov.”  On “Coins,” he laughs, messes with rhythms, and drops references to the Nintendo Entertainment System and the Sex Pistols.  But throughout Fly Zone, Le1f and his lyrics are in charge: “My jokes are funny, but my money’s not.”

After the jump, read a few critics’ words on the mixtape, and then listen to the whole thing yourself—Fly Zone is streaming on Soundcloud and free to download.

Kool A.D. Drops New Album, 51

EY. GETCHO GREED ON.

Das Racist member and Wesleyan alum Victor Vasquez ’06 has been grinding hard out in the Bay. His latest project, a solo album (or mixtape—both descriptors have been used interchangeably) entitled 51, came out yesterday on the Mishka/Greedhead/Veehead conglomerate.

Composed entirely in Oakland, 51 combines Vasquez’s distinctive penchant for esoteric, associative wordplay and racial commentary with the Bay area flavor of producers and rappers such as Amaze 88 and Main Attraktionz. 51 feels like a fulfillment of the experimental (if spare and slightly inaccessible) vision of Kool A.D.’s January mixtape, The Palm Wine Drinkard—it doesn’t upset the Greedhead model that we’ve come to expect over the last few months, but it’s certainly a welcome addition to that rapidly expanding catalogue of fresh hip-hop, which also includes LE1F’s (Khalif Diouf ’11) masterful debut mixtape Dark York. You’d do well to cop both releases while they’re hot n’ free. ‘Tis riiiiight.

Peep a cut after the jump.