The official theme for their capital campaign is “#THESISWHY.”
Tired of capital campaigns yet? Too bad. Making movies is expensive, and #thisiswhy thesis filmmakers Gus Vita ’13 and Dema Paxton Fofang ’13 (otherwise known as The Artist Formerly Known as Bamenda) are asking for your help in the form of a Kickstarter and an IndieGogo campaign, respectively. Vita’s asking for $3,000 and Fofang’s asking for $1,000, which comes to $4,000 total between the two of them, which still only amounts to .016% of the budget of Michael Bay ’86’s next $25 million opus (and that’s not counting the extra millions for advertising), so throw them a bone, will you? (At any rate, both of them have raised substantial funds towards their goals as of this posting—but they need more.)
You’d be right in assuming that filming is complete for both movies, so why raise money now? As Fofang explains it, “both of our projects were shot on 16mm, and the post-production process for that format is quite expensive. I’m currently spending long hours each day editing the film on a Steenbeck, and prepping for the final stages of post-production.” A cursory glance at Fofang’s own fundraising campaign reveals in detail where the money’s going: hiring a negative cutter to assemble the final cut, hiring a professional sound mixer to optimize the soundtrack, answer prints, color correction, telecine, festival distribution fees.
Wait, festival distribution fees? For real? If you donate, that means you can take credit when one of these films becomes the next Beasts of the Southern Wild and shows up on Oprah and gets problematized by The New Republic or whatever. Click past the jump for a bit more information on both films.
And Jurassic Park! And Vertigo! And… The Room????
You’ve been waiting with purple breath. The day has finally come.
No, not Freshmen Move-In Day (although that is happening right now. Our photos are forthcoming, but check out the excited faces of these wide-eyed freshmen!) It’s the unveiling of the first 2012-2013 Wesleyan Fucking Film Series Calendar! Click here for the full lineup. Most notably, we’re being treated to a showing of Prince’s 1984 cinematic extravaganza Purple Rain on September 28, because the Film Board finally realized that the Artist Formerly Known as the Goldsmith Family Cinema was constructed for literally no other purpose.
Other note-worthy highlights include Hitchcock masterpiece Vertigo (for the four or five students who haven’t taken Past on Film yet), dinosaur screamfest Jurassic Park, 2012 blockbuster The Avengers (all I can make out from the blurb is “come worship at the church of Whedon,” but that says enough), and epic spaghetti western Duck, You Sucker! (which probably fills the Film Series’ Sergio Leone quota for the academic year, denying my dream of seeing Once Upon a Time in America at the Goldsmith).
In the words of esteemed Film Board curator Danny Witkin ’13, “I fully endorse this calendar. This calendar’s record of the issues important to conservatives is unparalleled. It is the single best calendar to get our country back on track.” Click past the jump for the full Film Series calendar.
Marisa Stotter ’13 is producing a musical thesis film that is in need of an ensemble of musicians. Here is her plea:
Play an instrument? Wish you could’ve been in a classic musical? You still have a chance! A musical thesis film is looking for musicians to record the score and join us for the shoot this fall as featured performers. We’re in need of the following instruments for our orchestra: piano, guitar, flute, clarinet, trumpet, trombone, violin, viola, cello, and double bass.
If you’re interested, please send an email to mstotter(at)wesleyan(dot)edu or arodi(at)wesleyan(dot)edu.
Contact: mstotter(at)wesleyan(dot)edu, arodi(at)wesleyan(dot)edu