Follwing a portraiture chalk project and guest post by Ross Levin ’15, our five-part retrospective on the Chalking Moratorium wraps up.
One Friday morning in October, I trekked across campus to Dean Mike Whaley’s office to talk about a chalking controversy that took place about a decade ago. The previous weekend, two students had gotten into a physical confrontation with President Roth for chalking on Wyllys Avenue during Homecoming. A few hours after chatting with Dean Whaley, I took part in a massive legal chalk-in on Church Street sidewalks as midday traffic cruised by. Dave Meyer strolled by and tried to confiscate the chalk. We explained that the sidewalks are Middletown property. He continued on his way.
Institutional history has a funny way of working in cycles, and Dean Whaley, who arrived at Wes in 1997 and was Dean of Students in 2002, probably knows this better than anyone. Surprisingly, Whaley told me that he loved the queer chalking when he first arrived at Wesleyan. He also mentioned that President Bennet specifically reached out to him, an openly queer administrator, for advice. But unlike the former students I interviewed, Whaley framed the conflict primarily in terms of a hostile work environment. “The problem was, OK, you don’t like the ban, we get that,” Whaley said of the protestors. “But how do we resolve this hostile work environment?”
Was the answer to adopt some vague notion of “community standards”? Or geographic boundaries for chalking? Or an end to the anonymity? Or ought the Wesleyan community realize, as Professor Potter argued, that “no one has the right not to be offended”?
The Tenured Radical reflects on Bennet’s moratorium, student activism, and the meaning of chalking today.
Wesleying’s multi-part retrospective on the 2002 chalking moratorium continues with a faculty perspective: a conversation with Claire Potter, Professor of History and American Studies at Wesleyan from 1991–2011.
In the wake of President Bennet’s moratorium announcement in October, 2002, Wesleyan faculty from across the disciplines spoke up to register their views. Some authored a Wespeak supporting the ban, arguing that the “free exchange of ideas . . . is not facilitated by the hostile, racist, or sexually explicit slogans” reportedly contained in chalkings. Others expressed dissent, culminating in a 44-8 faculty vote asking Bennet to overturn the moratorium. Perhaps no faculty member, though, argued for free speech as forcefully and passionately as Professor Potter.
According to the Argus, just before the vote, she spoke up at a faculty meeting on chalking:
Chair of the American Studies Program Claire Potter also spoke at length to the faculty. She cited the Constitution and Bill of Rights as upholding free speech and said the 1st Amendment of the Constitution also holds true for obscenity.
“No one has the right not to be offended,” Potter said. [ . . . ] Addressing some of the comments from faculty members who viewed the chalkings as an inept way of expressing themselves and talk of helping students better express their views, Potter asserted that it is not the faculty’s place to interfere with student expression.
“The ultimate goal wasn’t to be able to chalk. It was to exhibit control over their environment.”
Ten years ago this autumn, President Doug Bennet ’59 sent out an all-campus email and banned chalking at Wesleyan for good. When I set out to mark the tenth anniversary of that Moratorium, I only meant to reflect on a heated and surreal episode in Wesleyan’s activist history and share the story behind a once-treasured campus medium that stills pops up every now and then.
Then this happened. And this. And this. And this Homecoming banner drop (which bears stark similarity to events described in the following interview). All of a sudden, chalking was in the news again.
History doesn’t repeat itself, but it does rhyme. What follows is an unexpectedly timely conversation with our first interview subject, Matthew M. ’05, who not only passionately fought the chalking moratorium, but went so far as to hack into President Bennet’s email and inform the Wesleyan community that the Moratorium was over. (Spoiler: It wasn’t.) According to Matthew, the chalking controversy wasn’t just about chalk. It was about widespread discontent over “fewer and fewer outlets for organized student autonomy”—a sentiment that brewed well past the fall of ’02 and culminated with over 250 students trapping President Bennet in his office in December, 2004. (No, really. Ask your older sister about it!)
The full interview is past the jump (it’s a long one), and the introductory post is here. Since he openly admits to perpetrating email fraud, Matthew asked me to withhold his last name. Our chalking Westrospective will continue later this week with another interview reflection.
Ten years ago, Doug Bennet ’59 declared war on chalk. In a multi-post series, we’re looking back.
On October 3, 2002, President Douglas J. Bennet ’59 sent an email to Wesleyan students, faculty, and administrators. It contained 335 words, but the message was brief: the chalking on campus, much of it sexually explicit, had gone too far.
The practice “undermines our sense of community and impedes substantive dialogue,” Bennet wrote. Though storied, “it is not a lofty tradition.” Plus, “there are more constructive ways to communicate.” With that, the president was declaring a moratorium on the practice. Temporary, of course. But indefinite.
A decade later, chalking remains banned.
With that single memo, Bennet set in motion the controversy that would rock campus that autumn, ten years ago this month. The chalking moratorium enraged queer groups, divided faculty (spoiler: they voted 44–8 against the ban), and inspired flurries of activism all over campus. (There was even a protest at a closed Board of Trustees meeting, recounted here and here. Its details are eerily similar to the occupation last month.) It spawned more Wespeaks than probably any single controversy while I’ve been at Wes, including need-blind. And it captured the imagination of the New York Times, who sent a journalist to cover the drama in a generous feature piece.