Tag Archives: music scene

Unofficial Orientation Series 2017: Wes Music Scene

This is an update of Maya‘s update of their post from 2015. Q wrote about this in 2013 and 2014. Some things have changed, but the scene here is still ‘unique, zealous, and sweaty.’

Delilah Seligman '16, Chris Sailor '16, Daniel Pope '16, and Harim Jung '16 performing at Middle House as Evil Deceiver, 5/4/2016

Delilah Seligman ’16, Chris Sailor ’16, Daniel Pope ’16, and Harim Jung ’16 performing at Middle House as Evil Deceiver, 5/4/2016

This is part of our 2017 Unofficial Orientation Series. A quick reminder that you can check out the welcome post here and past years’ series here.

The more I talk to college kids at other schools, the more I realize how much the music scene at Wesleyan sets itself apart. Though we have them, we are not confined to house parties and bars — there’s music nearly every day, all week. Often, there’s so much music that you can’t possibly go to it all, but you try anyway.

Once things get going, there are 3-5 concerts every weekend, sometimes even multiple shows a night. I’ve seen more bands than I have the energy to count with more variety than I can quantify simply  by wandering around at Wesleyan on a given weekend. The folks who book shows at Wesleyan work very hard to bring in all kinds of groups, well-known or just emerging, from punk to dance, and usually put one or two solid student bands on the list.

Many student bands have gone on to greater things, like Overcoats, Heems (Himanshu Suri ’07) of Das Racist (Suri and Victor Vasquez ’06), Novelty Daughter, Amanda Palmer ’98the Rooks, Henry Hall ’14 of Grand Cousin (RIP), AND MORE.

Seriously. It’s very special. What’s even better is that 95% of this stuff is totally free.

2017 update: “In the past year, there have been a few new regulations placed on the student-run concert scene by ResLife and others. The process by which these regulations were implemented has led a number of student musicians into action and frustration. There are still a large number of students who are committed to the music scene on campus and its survival, but I think it’s important that we tell some of the stories that have really made an impact on the music scene.”

Do you have questions like “How do I find out what’s going on?” or “How do I find people to play music with?” or “Where can I go to concerts?”, this is the post for you.

Unofficial Orientation Series 2016: Wesleyan’s Music Scene

This is an update of my post from last year. Q wrote about this in 2013 and 2014. Some things have changed, but the scene here is still ‘unique, zealous, and sweaty.’

Delilah Seligman '16, Chris Sailor '16, Daniel Pope '16, and Harim Jung '16 performing at Middle House as Evil Deceiver, 5/4/2016

Delilah Seligman ’16, Chris Sailor ’16, Daniel Pope ’16, and Harim Jung ’16 performing at Middle House as Evil Deceiver, 5/4/2016

This is part of our 2016 Unofficial Orientation Series. A quick reminder that you can check out the welcome post here and past years’ series here.

The more I talk to college kids at other schools, the more I realize how much the music scene at Wesleyan sets itself apart. Though we have them, we are not confined to house parties and bars — there’s music nearly every day, all week. Often, there’s so much music that you can’t possibly go to it all, but you try anyway.

Once things get going, there are 3-5 concerts every weekend, sometimes even multiple shows a night. I’ve seen more bands than I have the energy to count with more variety than I can quantify simply  by wandering around at Wesleyan on a given weekend. The folks who book shows at Wesleyan work very hard to bring in all kinds of groups, well-known or just emerging, from punk to dance, and usually put one or two solid student bands on the list.

Many student bands have gone on to greater things, like Overcoats, Heems (Himanshu Suri ’07) of Das Racist (Suri and Victor Vasquez ’06), Novelty Daughter, Amanda Palmer ’98the Rooks, Henry Hall ’14 of Grand Cousin (RIP), AND MORE.

Seriously. It’s very special. What’s even better is that 95% of this stuff is totally free.

Do you have questions like “How do I find out what’s going on?” or “How do I find people to play music with?” or “Where can I go to concerts?”, this is the post for you.

Unofficial Orientation Series: Wes Music Scene

muzak

What really brings me to love Wes more than I would’ve any other school? What is the one thing that I brag most about to my friends at other horrible poop schools? Easy. The music scene. As a music major, I wanted nothing more than an environment where I knew I would be able to learn and grow in and Wesleyan has all of that. Whether the casual concert goer or the hardcore fan/stalker of Zack Kantor ’15, the Wesleyan Music scene will have something for all of you.

Old School / Fresh Sound: An Interview with The Rooks

“I don’t think we would have the same chance in this city
if we went to any other school or formed in any other way. It had to be Wesleyan.”
rooks

Forget MGMT. Amanda Who? Das What? Wesleyan’s biggest hype band is The Rooks, a six-piece R&B/indie-soul band made up of a group of friends and members of the Classes of 2011 and 2012. The majority of them have settled in New York City after graduating, and since then, the band has released a handful of singles and now – finally – their debut studio EP, Something You Can Take. The album, now on Bandcamp for your free download enjoyment, is a must-hear for anyone who has a taste for classic rhythm and blues, hip-hop, indie rock, or really has ears at all. And, if you’re in the NYC area this Friday, June 21, The Rooks will be playing Fat Baby at 10 PM, so you can experience them live.

I had the opportunity to sit down for a Google Hangout with The Rooks frontman/lead singer Garth Taylor ’12 and drummer Nate Mondschein ’12 to talk about their new album, the forming of the band, the support of the Wesleyan community, and the difficulties of labeling a music style.

Conversation about Music, Feminism and Cultural Production with Whore Paint

whore

Feminist, artist, musician, and citizen of humanity Ally Bernstein ’13 is continuing the discussion:

How can we foster an inclusive and exciting music and arts scene at Wesleyan?

Recently, I wrote an opinion piece about the lack of female performers in Spring Fling (since then, Girl#$wag has been added to the line-up; shout out Emma Daniels ’13). Members of the band Whore Paint (hailing from Providence, RI) will be on campus at 4:00 PM to discuss their experiences and answer questions. All are welcome to come share and discuss strategies for fostering an empowering scene at Wesleyan.

Date: Saturday, May 4
Time: 4:oo PM
Place: Room 113, 41 Wyllys

Read on for Ally’s rundown of Whore Paint’s members.

Y’all Get Back Now: The 2012 Wellesleying Concert Preview

“Now wait a minute. Now wait a minute—wait a, wait a, wait a minute. Wait—wait a minute.”

“If you book it, they will come.” Tommy Lee Costner delivered that iconic line in 1989’s Field of Wolves, and it has never rung more true: Wesleyan’s upcoming bootypoppin’ concert lineup has got the back to make the beat go boom.

Seriously, though: while you were catching some sun in Bermuda over break (or Bergen County, as the case may be), a small army of chimpanzees committed Wesleyan concert-bookers was working day and night to put together a spring concert calendar fit to set a New Orleans-based sissy-bounce queen on fire. (And fresh off a semester whose warmest pleasures included Wye Oak and Dodos, Wild Flag and Balam Acab, Julianna Barwick and The Generationals, it probably says something that this schedule is arguably better.) If you missed Ty Segall or AraabMuzik, rest assured: that was the prologue. The insanity continues tonight, with Dustin Wong’s loop-driven guitar hypnosis at Eclectic Hauuuuus.

In conjunction with Aural Wes’s own concert preview, here’s a glance at everything you’re gonna miss while you’re abroad. It’s certainly not comprehensive—this only really covers the next month or so, and particularly excludes usual-suspect Wesleyan performers—but is pure, uncut bouncalicious. Cuz, like, uptown is trying to shake, nahmean?