Mickey Capper ’13 reminded me to post about this. Here’s the blurb from the official Facebook page for this event:
Born and raised in San Francisco—the home of the Grateful Dead—Professor of Music Graeme M. Boone attended the University of California at Berkeley, the Universite de Paris, and Harvard University, where he taught before joining the faculty at Ohio State. Following an overview of the band’s early history and style, Dr. Boone’s talk includes the showing of a “mandala movie” which helps elucidate the Dead’s open-ended song “Dark Star,” conveying a holistic, organic analysis of the tune, and incorporating every salient element in the extended, psychedelically evocative improvisations of its first 150 recorded performances.
With lyrics by Robert Hunter and music by Jerry Garcia, “Dark Star” can cover a broad spectrum of moods and musical ideas—incorporating anything from R&B cover songs to outer-space apocalypse—but the attentive listener can also hear lines of force binding the jams together: structuring devices, strategies, and trajectories that direct each improvisation and also serve as fundamental guideposts. An animated movie with changing colors and annotations follows two specific performances of the song, recorded in London on 4/8/72 and 5/23/72 during the band’s European tour that spring (the original 16-track analog tapes of the entire Europe ’72 tour were remixed, mastered in HDCD format, and released by the band in 2011).
Easily distracted Internet musings on Friday night’s psychedelia.
Opening up WESU’s much-hyped Spring Concert Series with a fuzzy bang full of wha-wha guitars and freaky visuals, Connecticut’s The Stepkids performed on Friday night in what may be the most psychedelic happening at the Memorial Chapel since the Už Jsme Doma performance in 2010. In the spirit of an old-school Wesleying tradition that has lain dormant for too long, we’re reviewing the show in the form of a Wesleying staff Gchat session. Eventually it devolves into a reflection on Linus, sausage grinders, and Scott Brown’s porn career, because obviously that happens. Read on anyway.
Photos below by me and Goatmilk.
Neo-tribalgaze band Prince Rama, which consists of two glittery sisters who grew up on a Hare Krishna commune (and that guy in the background who follows their exploits with his bass and gets curiously little media attention), played to a packed, sweaty house at Eclectic Friday night. Their act has a strong element of performance art; their opening ritual included keyboardist Taraka Larson throwing a long, sheer veil over herself and creeping through the crowd at the speed of molasses while the rest of the band played a droney track (it might have been “Summer of Love”).
She also climbed up on the speakers and blindly caressed the heads of the freshman boys in the front row, who made beatific expressions as if they had been touched by an angel. They invited people to get up front and dance with them, but the audience was sadly shy. No worries if you missed it and still want to shake your booty; according to their Facebook page, they’re holding a YouTube dance contest and the deadline is October first.
Opening was Dema Paxton Fofang ’13’s solo project Bamenda, which we posted about a few weeks ago.
Can you think of a better way to celebrate this completely arbitrarily chosen day than with some new Wes psychedelic rock?
Third Wheel, comprised of Adrien DeFontaine ’13, Molly Balsam ’14, and John Snyder ’12, have just bestowed us with a two-song EP entitled “Tapes Vol. 1.” And it sounds fantastic. This ain’t your parents’ psychedelic rock. Just wait for the fast part in “Voltron Complex.” You’ll love it.
The band has been floating around all year, performing at first semester’s Awesomefest (that’s them in the pic), opening for Teenage Cool Kids and Dive, and sharing the stage with Lioness a few weeks ago. Here’s hoping for a “Tapes Vol. 2” at some point. Stream the EP below and click here to download for free or for money if you’re super nice. It’s got art by Dan Obzejta ’12 and it’s engineered by Daniel Sullivan ’13.