“Were it not for his tenured post at Wesleyan, where he has taught for more than 20 years, ‘maybe I would be driving a taxicab or something,’ he said.”
With Professor Lucier’s long anticipated retirement finally taking effect, who takes up the mantle of the avant-garde in the Wesleyan music department? Who leads the way, towards seniority and distinction and towards the Arts pages of the New York Times?
“When in doubt, we follow Braxton,” comes the reply—from Taylor Ho Bynum ’98, MA ’04, cornetist, composer, bandleader, and former student of Braxton. He is conducting the group of vocalists that comprise the Syntactical Ghost Trance Music Choir; they are rehearsing Braxton’s “Composition No. 256,” preparing for a four-day festival of Braxton’s career and works that begins today in Brooklyn. “Encompassing unorthodox works and concepts from across his prolific career,” NYT‘s Nate Chinen writes, the festival is to be “as broad a survey of Braxtonia as has been presented in this country.”